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Proteus' Paradigm and Pandora's Paradox

Daniel_Weissman_4813
Three times the universe has begun with a bang, and twice it ended with the stars being devoured by something that does not exist. The third time, however, something that *should not have existed* hijacked the process. 729 eternal proto-stars now orbit the Cornerstone of all Creation, in which sleeps Arius, the Arbiter of the fifteen dimensions Creation exists in, and Nobody; as Guardian of the Non-Euclidean Infinite Archive, existing outside of reality... isolated . Across those fifteen dimensions which the two watch over; preside "Bearers of Sparks," or "Exceptions," empowered by the myriad stars, and metaphysical influence, spread across the multiverse. Beings across all fifteen dimensions are bound by a plethora of things, but first and foremost aside from causality is something called "The First Anomaly," which exists in all dimensions simultaneously. The dimension it is observed in will shift reality in accordance with a number of precepts, which are determined by the second most prominent binding aspect of the Third Cycle: "The Rule of Three." The Rule of Three is the physical formation of a paranormal law of nature, which acts as a causal filtration device. It also has a secondary function, which allows for Exceptions to offset and utilize any amount of energy in flux by bypassing the typical side-effects of thermodynamic energy transfer as we understand it. This is not to be confused for magic, because magic has a cost. This isn't reality bending/warping in the conventional sense either, as it's not bending the whole of reality but a singular aspect in a nigh-infinite multitude of potential ways, with 100% energy efficiency in cost/effectiveness/application which those who are not Exceptions cannot replicate without multiple sponsorships. This story follows an abnormality above anomalies; an Exception among Exceptions, a Transmigrator from the other side of an otherwise impassable wall, by the name of Lee Kühren.
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House Of Puppets

Arthur Moreau disappeared during a live broadcast. No warning. No transition. No last words. One moment he was finishing a world event in front of fifty thousand viewers. The next, he was gone, and what arrived somewhere else was Gepetto: his character, his creation, the most feared Marionettist ever built in a game where power was the only language that mattered. The world that caught him is not new to collapse. Gods have existed here, and some of them have died. What stands now is only the latest arrangement of a cycle that never needed him. Elysion is a Republic in the way that a cracked foundation is still a building. The institutions function. The titles exist. But beneath the gas lamps and the steam columns and the elevated rails connecting district to district, the actual structure is simpler: those with enough power do what they want, and everyone else absorbs the cost. The working class breathes chemical residue and calls it employment. The middle class negotiates in a market that has stopped rewarding negotiation, trains for credentials that no longer open doors, and moves forward because stopping is worse. There is no king here. There are only people with enough accumulated weight to act as though the question of permission does not apply to them. The Church of the Solar God holds the whole thing together, which is not a metaphor. A population that does not share language, origin, or history requires something to organize around, and the Church understood this long before anyone thought to ask. The Solar God is not a symbol. He walks. He acts. He has reasons of his own. And now, Players have begun to appear. Not as heroes. Not as chosen figures. As variables carrying power without understanding the system they have entered. The world does not pause for them. It absorbs them, bends around them, and continues. Gepetto does not try to fight it. He studies it. While others assert themselves through force, faith, or the assumption that visibility equals strength, he builds something quieter. Not an army. Not a faction. A structure: distributed, patient, invisible until it is not. A web that does not need to be seen to function. The skills are real now. The strings are real. And what they touch does not reset. House of Puppets is a story about control, belief, and the cost of acting in a world indifferent to your intentions. It follows a man who does not seek to win, but to understand the rules well enough that losing becomes unlikely. Because the puppeteer pulls the strings. But in a world this old, someone is always watching. A word from the author: House of Puppets is built closer to a novel than a webnovel: each chapter accumulates, each arc tightens, and the end of every Volume is the destination of everything that came before it. The structure rewards patience. Tension builds and does not release until it is meant to. The ambition is simple to say and hard to earn: one day, a place among the works that defined what this genre can be. Lord of Mysteries, Reverend Insanity, ORV, Shadow Slave. I cannot promise we get there. I can promise I will give everything trying.
MisterElegance · 59.9k Views

Wolf Princess Sold to the Dragon King

"Take me instead." Three words. Guinevere Lunaris trades herself and saves 300 lives. Tied. Gagged. Underestimated by a mile. They chain her to a tree in the snow. Mistake. While running for her life, she meets a stranger in the dark and tells him to hide so he isn’t killed. Twelve hours later, he walks into her father's hall wearing a crown. The man she just told to hide in a hole is Maddox Drakencrest, High King of Velkaris. Ruler of an entire continent. Maddox hears his dragon say ‘mate’ right away. But her wolf is silent. More and more Alpha Kings enter the hall. She catches the tail end of her father’s toast and chokes on her wine. "—leave here with a virgin bride." An auction for her hand turns into a full-out bidding war. Maddox wins. 750 million in gold, three dragon fleets, and an urn full of the bastard who chained her the day before. Every force in Velkaris is betting against a wolf on a dragon throne. The Elders say the queen must be a dragon rider, which is impossible for a woman without dragon blood. The king's half-brother agrees with them, but his solution is a civil war and taking the crown for himself. If his brother’s rebellion wins, Maddox dies and she belongs to him. If the elders win, she goes back to the father who sold her. Neither is happening. Her wolf calls Velkaris home. She's not giving it up. They expect Guinevere to behave like a good little wolf princess and play along with their political games. She says bet.
TheLoneQuill · 164.1k Views