Cherreads

Simple man with his overpowered army

SanderTomson
A man played an immersive game that he started playing thanks to his brother. With his brothers help, he got an overpowered build on his character. Unfortunately, his brother died and he stopped playing the game alltogether because it reminded him of his brother. One day he hears that the game is about to get shut down, and he goes there to say farewell to the thing he and his brother spent so much time on. But when the moment where he was supposed to be logged out, he finds himself still in his character. Strangely the NPCs start talking more freely and that the capital city where they were on was suddenly in a strange forest. What will he do in this new environment? What will a man, who is used to being the one being ordered around, do when given a task where he is in charge? What kind of people will he meet? (Note that the setting starts kind of like Overlord, the anime/novel. Don't take it to mean that it is anywhere near that level.) Surprisingly many parental figures appear in the series, mostly fatherly, though not exemplary.
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I Leash Emperors: The Dead Shout. I Smile

The dead scream for justice. They have been screaming for centuries. In my office on the 88th floor, the sound is indistinguishable from the hum of the paper shredder. I have twelve of history's most dangerous minds in my vault—Caesar, Cleopatra, Napoleon, Wu Zetian, and eight others whose names are synonymous with the word empire. I stripped them of their crowns and their divinity and left them with the only two things that survive death intact: greed, and memory. Then I put them to work. The boardroom is their new battlefield. Stocks are their arrows. Hostile takeovers are their sieges. The First Emperor runs my supply chains with the same draconian efficiency that built the Great Wall. The Queen of the Nile runs my PR division and calls it beneath her. Caesar rewrites the legal architecture of an entire financial district before breakfast and considers it a light morning. The rules are simple. The Emperor with the highest ROI earns twenty-four hours of full sensory restoration—taste, warmth, the burn of real alcohol, everything the synthetic body cannot feel. The Emperor at the bottom earns something else: a Hell Start. Reincarnation as a beggar, a eunuch, a sacrificial lamb in the next cycle. They know this. It keeps them focused. Every full moon, the tavern opens. The millions they killed in their lifetimes gather as my Jury—compressed into a medium that runs on pure hatred, sustained by a spite so concentrated it has proven, against all known physics, to be a measurable energy source. They vote. They decide which of their tormentors leads the next charge, and which of the most venomous among them earns a temporary body to return to the waking world. Wu Zetian shed her imperial robes to kneel at my feet and beg for a private review of her HR directorship. Arsinoe—murdered by her own sister two thousand years ago—spent six weeks haunting Cleopatra's servers and built a perfect weapon before she ever asked me for the body to deliver it. Cleopatra herself believes her beauty is a currency I will eventually accept. She has not yet understood that in this building, the only currency is performance. I do not need loyalty. I need sharp blades. I do not trade in mercy. I trade in ROI. They believe this is my game. They do not ask why I need to win it. Rules? I am the rule. Harem? The highest-tier spoils of a game they don't know the stakes of. Every arc is a different world. Every world is a wound that needs closing. The Emperors do not know this. They never do. Perhaps the last thing standing between their world and oblivion is a man who stopped caring about it long ago. Let the dead shout. I smile. I have to. Tags: #InfiniteFlow #DarkFantasy #HighStakesPolitics #DivineAutocracy #GrimDark #RuthlessMC #HistoricalFigures #DarkHarem Content Advisory: Heavy power dynamics, sensory manipulation, historical figures in morally compromised positions. MC is an unapologetic autocrat. No redemption arcs.
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