After all, without any creation submission requirements, the gallery's expenditure is purely an investment.
Faced with underage artists, the gallery cannot demand quarterly submissions like they do with formally contracted artists.
If you depress young artists, even if the court doesn't rule you as exploiting child labor, the media can still criticize you severely.
As Koizumi Katsuko said, Tokyo Gallery mainly pays a high price for the right of first refusal.
Spending this small million dollars is primarily for when she makes her official debut at art exhibitions as an adult.
With the same conditions, Tokyo Gallery has the right to secure Matsuko's first formal agency contract, which is when the real investment pays off.
"The additional terms include not engaging in actions that harm my public image. One clause specifies not publicly announcing any romantic relationships on social media during the contract period."
In the 21st century,
