He himself wasn't quite sure whether Gu Weijing's judgment was correct.
Hanks, after all, had only worked as an artist's assistant and wasn't a renowned great painter with exquisite painting techniques.
He had no problem appraising the overall effect or larger details of two paintings, determining which one was superior or inferior.
But when it came to whether the recent strokes on the canvas were a bit thick,
he was somewhat at a loss.
However, if it was too thick, one could just scrape it off with a painting knife and paint again.
After all, it wasn't an unalterable pen drawing; scraping off a mistake was no big deal.
The creative process of those oil painting masters often required alterations and corrections.
Gu Weijing picked up the painting knife beside him.
He selected a painting knife with a relatively short and wide blade, felt it for a moment, and gently slid it over the surface of the just-painted, yet-to-form oil film on the paint.
