Gu Weijing flipped through these materials.
He prepared to emulate the recent "Cat Nanny."
Similar to the scene where Ah Wang and Bu Dao play with the cat toy, using Tony and Amy's daily life photos as a blueprint, to conceive a whole set of situational illustrations to evoke Tony's memories of Amy and to get closer to his heart.
The photos in his hand were all rephotographed from old film scans.
Many were taken in the 1980s and 1990s when digital cameras had just emerged from the lab and Kodak still dominated the consumer market.
When sent over, they were thoughtfully arranged in chronological order.
The document on the left side of Gu Weijing's screen showed the progress of Tony's treatment and psychological evaluation by the family doctor.
The document on the right contained corresponding photos of Tony and Amy's life during this period.
