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Chapter 60 - Chapter 60 -  The False Castrato’s Story

 

Dear reader, I said enough at the end of the last chapter to make you guess what happened, but no language would be powerful enough to make you realize all the voluptuousness which that charming being had in store for me.

The moment I was in bed, she came close.

Without uttering one word our lips met, and I found myself in the ecstasy of enjoyment before I had had time to seek for it.

After so complete a victory, what would my eyes and my fingers have gained from investigations which could not give me more certainty than I had already obtained?

I could not take my gaze off that beautiful face, which was all aflame with the ardour of love.

After the first transport, we lay still for a little while, close enough to hear one another breathe. Then the same fire returned, she answered it with an ardour that seemed determined to repay all the torment she had caused me.

If she had made me suffer, she now took care that I should remember the suffering only as the road to delight.

The happiness I gave her increased mine twofold, for it has always been my weakness to compose the four-fifths of my enjoyment from the sum-total of the happiness which I gave the charming being from whom I derived it.

Such a feeling must necessarily cause hatred for old age which can still receive pleasure, but can no longer give enjoyment to another. And youth runs away from old age. Rightly. It is its most cruel enemy.

At last an interval of rest became necessary.

We were not exhausted in spirit, nor weary of one another. But the senses, like musicians, must pause if they are to play again with sweetness. We yielded, therefore, to that brief silence which does not end happiness, but prepares its return.

 

Bellino was the first to break our silence.

"Dearest," she said, "are you satisfied now? Have you found me loving?"

"Truly loving?" I drew her closer. "Ah! traitress that you are! Do you, then, confess that I was not mistaken when I guessed that you were a charming woman? And if you truly loved me, tell me how you could contrive to defer your happiness and mine so long? But is it quite certain that I did not make a mistake?"

"I am yours entirely," she said. "Look for yourself."

Oh, what delightful survey! what charming beauties! what an ocean of enjoyment! But I could not find any trace of the protuberance which had so much terrified and disgusted me.

"What has become," I said, "of that dreadful monstrosity?"

She laughed softly.

"Listen, and I will tell you everything."

She settled herself beside me, her head near my shoulder.

"My name is Therese."

She paused, sighed and then said,

"My father, a poor clerk in the Institute of Bologna, had let an apartment in his house to the celebrated Salimberi, a castrato, and a delightful musician. He was young and handsome, he became attached to me, and I felt flattered by his affection and by the praise he lavished upon me."

Her eyes softened as she spoke of him.

"I was only twelve years of age; he proposed to teach me music, and finding that I had a fine voice, he cultivated it carefully, and in less than a year I could accompany myself on the harpsichord. His reward was that which his love for me induced him to ask, and I granted the reward without feeling any humiliation, for I worshipped him.

"Of course, men like yourself are much above men of his species, but Salimberi was an exception. His beauty, his manners, his talent, and the rare qualities of his soul, made him superior in my eyes to all the men I had seen until then.

"He was modest and reserved, rich and generous, and I doubt whether he could have found a woman able to resist him; yet I never heard him boast of having seduced any. The mutilation practised upon his body had made him a monster, but he was an angel by his rare qualities and endowments.

"Salimberi was at that time educating a boy of the same age as myself, who was in Rimini with a music teacher. The father of the boy, who was poor and had a large family, seeing himself near death, had thought of having his unfortunate son maimed so that he should become the support of his brothers with his voice.

"The name of the boy was Bellino; the good woman whom you have just seen in Ancona was his mother, and everybody believes that she is mine.

"I had belonged to Salimberi for about a year, when he announced to me one day, weeping bitterly, that he was compelled to leave me to go to Rome, but he promised to see me again. The news threw me into despair. He had arranged everything for the continuation of my musical education, but, as he was preparing himself for his departure, my father died very suddenly, after a short illness, and I was left an orphan.

"Salimberi had not courage enough to resist my tears and my entreaties; he made up his mind to take me to Rimini, and to place me in the same house where his young 'protege' was educated.

"We reached Rimini, and put up at an inn; after a short rest, Salimberi left me to call upon the teacher of music, and to make all necessary arrangements respecting me with him; but he soon returned, looking sad and unhappy; Bellino had died the day before.

"As he was thinking of the grief which the loss of the young man would cause his mother, he was struck with the idea of bringing me back to Bologna under the name of Bellino, where he could arrange for my board with the mother of the deceased Bellino, who, being very poor, would find it to her advantage to keep the secret.

"'I will give her,' he said, 'everything necessary for the completion of your musical education, and in four years, I will take you to Dresden (he was in the service of the Elector of Saxony, King of Poland), not as a girl, but as a castrato. There we will live together without giving anyone cause for scandal, and you will remain with me and minister to my happiness until I die.

All we have to do is to represent you as Bellino, and it is very easy, as nobody knows you in Bologna. Bellino's mother will alone know the secret; her other children have seen their brother only when he was very young, and can have no suspicion."

At this point her eyes filled as she choked slightly then pressed on,

"But if you love me you must renounce your sex, lose even the remembrance of it, and leave immediately for Bologna, dressed as a boy, and under the name of Bellino. You must be very careful lest anyone should find out that you are a girl; you must sleep alone, dress yourself in private, and when your bosom is formed, as it will be in a year or two, it will only be thought a deformity not uncommon amongst 'castrati'.

"Besides, before leaving you, I will give you a small instrument, and teach how to fix it in such manner that, if you had at any time to submit to an examination, you would easily be mistaken for a man. If you accept my plan, I feel certain that we can live together in Dresden without losing the good graces of the queen, who is very religious. Tell me, now, whether you will accept my proposal?

"He could not entertain any doubt of my consent, for I adored him. As soon as he had made a boy of me we left Rimini for Bologna, where we arrived late in the evening. A little gold made everything right with Bellino's mother; I gave her the name of mother, and she kissed me, calling me her dear son.

"Salimberi left us, and returned a short time afterwards with the instrument which would complete my transformation. He taught me, in the presence of my new mother, how to fix it with some tragacanth gum, and I found myself exactly like my friend.

"I would have laughed at it, had not my heart been deeply grieved at the departure of my beloved Salimberi, for he bade me farewell as soon as the curious operation was completed. People laugh at forebodings; I do not believe in them myself, but the foreboding of evil, which almost broke my heart as he gave me his farewell kiss, did not deceive me. I felt the cold shivering of death run through me; I felt I was looking at him for the last time, and I fainted away.

"Alas! my fears proved only too prophetic. Salimberi died a year ago in the Tyrol in the prime of life, with the calmness of a true philosopher. His death compelled me to earn my living with the assistance of my musical talent. My mother advised me to continue to give myself out as a castrato, in the hope of being able to take me to Rome.

"I agreed to do so, for I did not feel sufficient energy to decide upon any other plan. In the meantime, she accepted an offer for the Ancona Theatre, and Petronio took the part of first female dancer; in this way we played the comedy of 'The World Turned Upside Down.'"

When she reached this point, she fixed her teary eyes on me,

"After Salimberi, you are the only man I have known, and, if you like, you can restore me to my original state, and make me give up the name of Bellino, which I hate since the death of my protector, and which begins to inconvenience me.

"I have only appeared at two theatres, and each time I have been compelled to submit to the scandalous, degrading examination, because everywhere I am thought to have too much the appearance of a girl, and I am admitted only after the shameful test has brought conviction.

"Until now, fortunately, I have had to deal only with old priests who, in their good faith, have been satisfied with a very slight examination, and have made a favourable report to the bishop; but I might fall into the hands of some young abbe, and the test would then become a more severe one.

"Besides, I find myself exposed to the daily persecutions of two sorts of beings: those who, like you, cannot and will not believe me to be a man, and those who, for the satisfaction of their disgusting propensities, are delighted at my being so, or find it advantageous to suppose me so."

Her expression then morphed into a combination of terror and disgust as she continued,

"The last particularly annoy me! Their tastes are so infamous, their habits so low, that I fear I shall murder one of them some day, when I can no longer control the rage in which their obscene language throws me.

"Out of pity, my beloved angel, be generous; and, if you love me, oh! free me from this state of shame and degradation! Take me with you. I do not ask to become your wife, that would be too much happiness; I will only be your friend, your mistress, as I would have been Salimberi's; my heart is pure and innocent, I feel that I can remain faithful to my lover through my whole life."

Tears flowed ceaselessly from her eyes as she said,

"Do not abandon me. The love I have for you is sincere; my affection for Salimberi was innocent; it was born of my inexperience and of my gratitude, and it is only with you that I have felt myself truly a woman."

Her emotion, an inexpressible charm which seemed to flow from her lips and to enforce conviction, made me shed tears of love and sympathy. I blended my tears with those falling from her beautiful eyes.

I took her in my arms and I promised that I would not abandon her. I promised to take her with me and make her the sharer of my fate.

Her story had moved me deeply. It was strange, almost incredible, yet every part of it bore the stamp of truth.

The poverty, the disguise, the dead boy, the ambitious singer, the mother bought by necessity, the humiliating examinations, all agreed too well with human nature to be dismissed as invention.

I felt disposed to make her happy.

Yet one doubt remained.

I could believe in her misfortunes, in her courage, in her hatred of Bellino, in her desire to become Therese again. But I could not persuade myself that I had inspired in her, during my short stay at Ancona, a passion as deep as the one she professed.

Many things had happened there which might have wounded rather than conquered her heart. I had pursued her, suspected her, threatened her, and consoled myself, when she resisted me, with her sisters.

I lifted her face and looked at her.

"If you loved me truly," I said, "how could you let me sleep with your sisters, out of spite at your resistance?"

 

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