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Chapter 5 - Rampage Of The Dead

You want to know what makes a man dangerous?

Not wealth. Not power. Not how many men he commands.

A man with everything fights to keep it.

A man with something fights to protect it.

They hesitate. They calculate. They fear the loss.

But a man with nothing?

A man who has watched it all burn—

his mother's hands, his wife's eyes, his child's breath that never came—

that man is already dead.

And dead men don't fear losing what they no longer have.

They just want to collect what they're owed.

I stopped using lists. I stopped waiting for orders. I hunted them myself—every name, every face, every hand that had ever touched Kabhir's money, delivered his messages, opened his doors, or spilled innocent blood.

The local store owner where Kabhir bought cigarettes?

A small shop near the railway station, shelves lined with biscuits and soap and rows of Gold Flake Kings. He was a fat man with a kind face who gave credit to the poor. I found him closing up at midnight, counting his cash. I left him on the floor behind the counter, his money still in his hand.

Dead.

The tea stall where his men gathered?

A concrete shack with a corrugated roof, painted green once, now faded to gray. The chai wallah was a thin man with a limp who knew everyone's name. I waited until the morning rush, until the stall was full of Kabhir's men, their boots on the stools, their laughter bouncing off the walls. I locked the door from the outside.

Burned with everyone inside.

Distant relatives.

Kabhir's cousin in Delhi, a teacher who had never done anything wrong except share the same blood. His uncle in Singapore, who managed a textile shop and had two daughters getting married next year.

Old friends.

Men who had known Kabhir since childhood, who had watched him rise, who had looked the other way when the money started coming from darker places.

Random associates.

Anyone connected.

Anyone who ever smiled at him.

I became what I hated most.

A demon.

A Ghost.

The mafia gave me a name.

They started calling me "Veda—The Devil Of Death."

The name spread through whispers in Canada, America through fear in hidden underground rooms in Dubai and Bangkok. I heard it from the lips of a man begging for his life.

"The Devil Of Death."

Catchy.

Wrong.

I'm not a Devil

Devils feel joy in cruelty.

I feel nothing.

Emptiness.

Hollowness.

A Ghost.

That's all I am now.

THE FINAL KILL

Kabhir thought he was safe.

He had moved everywhere. Ten years. City to city. Country to country. Every time he ran, I followed. Every place he hid, I found. Everyone he touched, I killed.

I killed more than a thousand. Maybe more. I don't remember anymore.

Finally — I found him.

California. A local area. A villa with walls, with gates, with cameras on every corner. Twelve guards, rotating in shifts. Two at the gate. Four patrolling the perimeter. Six inside. All armed. All trained.

Security systems. Motion sensors. Infrared cameras. A control room with a man watching screens.

None of it mattered.

I walked through his doors like death itself.

I came at 3:47 in the morning. The hour when the body slows. When the eyes get heavy. When the mind drifts.

The guard at the gate saw me — a shadow moving through the dark. He had time to open his mouth. That was all.

Guards fell.

The second went down before his body hit the ground. The third didn't see me at all. By the time the patrol reached the gate, I was already inside the compound, moving through the garden, past the fountains that were silent at this hour.

Bullets missed. They fired blind — into the dark, into the space where I had been a second before. I moved like water. Like smoke. Like something that had stopped caring whether it lived or died.

Or maybe I just didn't care anymore.

The bedroom door was oak. I kicked it open

I found him in his bedroom.

Inside: golden lamp light. Silk sheets. The smell of expensive perfume. A window facing east. Through it, the California moon hung low and full, spilling silver light across the floor.

Kabhir was asleep. Curled around a woman — young, dark hair, bare shoulder. His face was soft. Peaceful. The face of a man who had forgotten that death existed.

The woman woke first.

Her eyes opened. She saw him standing in the doorway.

The moonlight hit him from behind — cold, silver, unforgiving. It outlined his shape. The blood on his chest gleamed black and wet. His face was half in shadow, half in light. The dried blood on his forehead looked like horns. The fresh blood on his hands looked like claws.

He didn't move. Didn't speak. Just stood there. The devil framed in moonlight.

Her mouth opened. No sound came out.

He raised one finger to his lips. Shh.

She slid out of the bed. Bare feet on cold floor. She didn't run at first — she crawled backward until she hit the wall, her eyes fixed on him, her breath coming in short, sharp gasps. Then she fled. The door swung shut behind her.

Kabhir slept on.

Veda stood at the foot of the bed. Dripping. Waiting. The knife in his right hand was red to the hilt.

---

Kabhir stirred. Blinked. The sleep fell away.

Eyes wide with fear.

His eyes—those sharp, calculating eyes—were wide now. The color had drained from his face.

His eyes adjusted. He saw the figure — tall, covered in blood, backlit by moonlight, face half in shadow. The devil. The one from his nightmares. The one who had haunted every dark corner for ten years.

"Veda—wait—we can make a deal—money—women—anything—"

Please." Tears came. Hot. Ugly. "Please. We can make a deal. Money. I have money. Millions. You can have it all. Women. Anything. Anything you want. Just name it. Please."

Veda tilted his head. Blood dripped from his chin onto the silk sheets.

"A deal?"

His voice was quiet. Flat. Empty

He took one step closer. The floorboard groaned.

"I don't want anything from you, Kabhir. I'm not here to take. I'm here to collect."

Kabhir scrambled backward, his back hitting the headboard. His hands clawed at the sheets.

"Please—please—I'll do anything—"

Veda smiled. It was not a human smile. It was slow. Cold. It didn't reach his eyes.

"You already did everything. He laughed. Slow. Low. A sound like stones grinding together.

He grabbed Kabhir's wrist. Pulled the hand out from under the sheet. The hand that had signed the orders. The hand that had held the phone.

The knife was curved. Sharp. Good for close work.

"You want to know what she looked like?" Veda said, his voice soft, almost gentle. "My wife. Gita."

He pressed the blade against Kabhir's index finger.

"She was beautiful. Her face — soft. Warm. When she smiled, the whole room felt different. Like sunlight through a window."

He cut. The finger came off at the second knuckle. Kabhir screamed. Blood sprayed.

"When I found her, her face wasn't soft anymore. It was cut. Slashed. Open. Someone had taken a knife to her cheeks. Her lips. Her forehead. The face that made me fall in love with her — gone. Just meat."

Second finger. Off. Kabhir's scream turned into a howl.

"Her hands —" Veda kept cutting, slow, methodical. "Her beautiful hands. The hands that always held mine. When we walked. When we slept. When she touched my face and told me everything would be okay."

Third finger. Fourth. Kabhir's howl became a thin, high whine.

"They cut her hands too. Fingers missing. Palms split open. The hands that held me — they were just bones and blood when I found her."

Veda paused. Looked at Kabhir's ruined hand. Then at Kabhir's face — wet with tears, snot, spit.

Veda leaned close. Close enough that Kabhir could smell the blood on his breath. The moon lit the side of Veda's face — blood-soaked, empty-eyed, calm.

"And her eyes," Veda whispered. "Those brown eyes. The eyes that made me fall for her. When I found her — they were still open. But there was nothing behind them. No light. No life. Just emptiness."

He pressed the knife against Kabhir's stomach.

"She was already gone. Her body just hadn't stopped breathing."

Veda put the knife inside Kabhir's eye!

He pushed the blade in.

Kabhir screamed.

The sound filled the room — high, wet, tearing out of his ruined mouth. Blood bubbled from his lips his eye. His body arched off the bed.

Veda smiled.

Slow. Cold. His eyes never left Kabhir's face.

"Ahhh," Veda breathed. "Finally. I waited ten years for this sound."

Then he started butchering.

I used the knife I'd taken from the first guard. A curved blade, good for close work.

The knife moved. Fast now. Not slow. Not methodical. Hungry.

Piece by piece.

Fingers flew. Arms opened. Chest caved. The silk pajamas disappeared under red. The bed became a swamp. The walls drank the spray.

Kabhir's screams became gurgles became silence.

But Veda didn't stop.

He worked like a man possessed. Like a man making up for ten years of waiting. Piece by piece. Slice by slice. The body on the bed stopped looking like a body. Became something else. Something ugly. Something ground down to nothing.

Methodical.

When there was nothing left to cut—

His body was a ruin on the floor. The silk was gone, the skin was gone, the man was gone. But his eyes were still open. Still watching. Still seeing.

I put the gun in his mouth.

The barrel pressed against his teeth, against his tongue. His breath was hot, ragged. His eyes were the only thing moving now, rolling, trying to focus, trying to understand.

"Your brain is broken," I said. "Let me fix it."

I pulled the trigger.

2040. AGE 44.

 Thirteen years passed.

Ten years of moving from city to city, from country to country. Ten years of contracts and killings—names on paper, blood on floors. Just to survive… just to kill Kabhir. I worked for anyone who paid. I didn't ask questions. I didn't care. And now… it's all over.

Thirteen years of killing.

Thirteen years of emptiness.

Thirteen years of being dead inside.

One-Thousand people.

I saw the number on a news channel in a hotel room in Dubai, then again on a website in Bangkok, then again in a newspaper in Mumbai. One-Thousand confirmed kills. The most dangerous killer in Indian history, they said.

That's how many I've killed.

I stopped counting after a while.

But the news counted for me.

Today—

I'm standing on top of a building.

The same building where we began. An abandoned residential tower in South Delhi, twenty-three stories, the concrete cracked, the railings rusted. The wind is cold this high up. It cuts through the torn black suit I've been wearing for three days.

High.

Cold.

Wind cutting through me like knives.

Police everywhere.

The streets below are blocked. Cruisers with flashing lights, their blue and red reflecting off the windows of nearby buildings. A helicopter circles overhead, its searchlight cutting white circles across the rooftop.

Below.

Helicopters above.

Guns aimed at me.

From the street, from the rooftops across the way, from the helicopter. I can see the snipers on the building opposite, their rifles braced on tripods, their scopes dark circles pointed at my chest.

Rifles.

AK-47s.

Enough firepower to kill a hundred men.

"VEDA DAS! LAY DOWN YOUR WEAPONS! YOU'RE SURROUNDED!"

The voice comes through a megaphone, amplified, distorted, bouncing off the walls. There's something in the voice—a tremor, a tightness. They know what I've done. They know what I'm capable of.

A megaphone voice.

Desperate.

Scared.

I wave.

I lift my hand, the one that holding the empty gun, and I wave. Slow. Lazy. Like I'm greeting a neighbor from across the street.

Slow.

Lazy.

No emotion.

"Hello! How are you doing, people?"

My voice carries on the wind. There's no shouting, no defiance. Just a voice, flat and tired, asking how people are doing.

Dead.

Flat.

Tired.

News reporters are there too.

I can see them behind the police barricades, their cameras pointed upward, their anchors talking into microphones. They've been following me for weeks. The Devil of Death. The most wanted man in the country. Finally cornered.

Cameras.

Lights.

They want to capture the moment.

The death of the Devil.

I look up at the sky.

"HEY..JAGANNATH"

The name comes out soft, almost a whisper. The wind carries it away. I don't care if anyone hears. The lord of the universe, whose temple I walked past every day as a boy, whose wooden eyes I believed watched over the faithful. I used to pull his chariot during the Rath Yatra, my hands on the thick ropes, sweating with a thousand others, believing I was pulling God Himself through the streets of Puri.

My voice is quiet.

"You took everything from me. My mother. My wife. My child. My soul. I have nothing left."

I look down at the police.

At the guns, the cruisers, the barricades. At the men with their fingers on triggers, waiting for me to make a move.

At the guns.

At the cameras.

At the world that watched me become this.

"I only have myself now."

I spread my arms wide.

The black suit flaps in the wind. The empty gun dangles from my fingers. The helicopter's searchlight catches me, holds me, makes me white against the dark.

"Take me too."

I step off the edge.

Falling.

The air rushes past, cold and loud. The lights of the city blur into streaks. The helicopter's blades chop the air above me. I can see the faces of the police below, looking up, mouths open.

Wind rushing past.

Sirens fading.

"Oh."

Something catches in my chest. Not regret. Not fear. Something lighter. I think of the Rath Yatra—the great wooden chariots, the ropes, the crowd, the feeling of moving something holy. I think of my mother's hand in mine, her voice: "Lord Jagannath is watching, son."

I almost smile.

"This is what birds feel."

THE GROUND

I hit a police car.

The roof crumples under me. Glass shatters, sprays into the air like diamonds. The impact is a white explosion behind my eyes, a sound that isn't a sound, a pain that is too big to feel.

Crash.

Bones breaking.

I can feel them—ribs, arms, legs—all giving way at once. My back arches, then goes slack. My head hits something soft—the roof of the car, maybe, or the hood.

Blood everywhere.

It's warm, running down my face, pooling under my shoulders, soaking into the torn black suit.

Pain—

but distant.

Like it's happening to someone else.

I can't move.

My arms are spread, my legs twisted. The car alarms are going off—a chorus of them, all up and down the street. Someone is shouting. Someone is running toward me.

Can't speak.

Can't do anything except—

see faces.

My mother.

She's young in my mind, young and strong, her hair black, her hands smooth. She's standing in the kitchen of our room in Puri, stirring a pot of dal, humming something I haven't heard in thirty years. She turns and smiles. Behind her, through the window, I can see the spire of the Jagannath Temple rising against the sky.

Smiling.

Gita.

She's walking toward me in that first meeting, her eyes down, her hands folded. Then she looks up, and her eyes are brown and warm and they hold me like I'm something precious.

Her eyes. Her real eyes. The ones that had home in them.

A baby girl.

She has Gita's face and my mother's hands. She's running through a garden, through a courtyard with marigolds, and she's laughing, and she's reaching for me, and I'm reaching back.

Shakti.

Never born.

Never lived.

Never died.

Just... never.

"I'm coming to join you."

The words don't leave my mouth.

But I feel them.

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