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The Trending Topic Herself: The Villainess is the Superstar!

As a qualified female antagonist, Maya Monroe's daily task is to sneer and look down at the female lead, Kiki Monroe, to facilitate Kiki's slap in the face and rise to the top. Audition scene: Maya Monroe: How dare a little nobody compete with me for the role? This role is definitely mine! Netizens: Such boastful talk! Nonsense! Kiki, slap her in the face! The audition results come out, and Maya Monroe succeeds in the audition. Maya Monroe, who is obviously holding back: ...... Netizens: Wow... Not only is she confident, but she's also so talented! I'm loving it! At the awards ceremony, Maya Monroe holds a bunch of trophies, looking helplessly at the camera. Kiki Monroe, sitting below, has long left the scene angrily, biting her little handkerchief. Host: You've been nominated for so many awards, Maya, what are your thoughts? Maya Monroe pauses for a moment: Actually, I'm not interested in awards. Fans suddenly go wild: Ahhh, sister is so classy, I love it! Maya Monroe's husband is the male lead's brother. According to the plot, this big shot divorces her due to being unable to stand Maya Monroe's arrogance and lets her fend for herself. To make Ian Rowe hate her, Maya Monroe tries her best to act outrageous. She deliberately knocks over Ian Rowe's soup, not knowing the chicken soup is poisoned. She arrogantly steals Ian Rowe's food, not knowing that it all comes from the culinary-struggling Ian Rowe. Maya Monroe: Quickly hate me! Ian Rowe: She... must like me! Another title for this story: "About My Efforts to Hold Back but Repeatedly Crush the Female Lead", "About How Just Saying a Few Words Casually Makes a Bunch of People Like Me", "Ah! It's Becoming Increasingly Hard to Be an Antagonist These Days"
The cat has become a spirit · 180k Views

Cinematic rebirth: Urban Bollywood Saga

Hello everyone after going through many novel reading I realized that showniz base novels on Chinese and U. S. entertainment industry have massive numbers but India base nothing so I decided to start a new novel on Indian entertainment industry so everyone support this Vijay, a 30-year-old man, died in the most ridiculous way possible— Laughing. A harmless experiment with laughing gas turned into uncontrollable laughter… until his body gave up. Even in his final breath— "Yaar… log rote rote marte hain… main haste haste mar gaya?" (“People die crying… and I died laughing?”) Darkness followed. But death… wasn’t the end. He opened his eyes again— Reborn. A new life. A new family. A fresh start in a parallel modern world. Everything looked normal. School. Streets. Neighbors. Daily routine. A peaceful, ordinary life. Until… small things began to feel strange. Not wrong. Just… cinematic. A school teacher giving an emotional speech that felt too powerful for a normal day. A roadside fight that suddenly turned dramatic, like a perfectly choreographed scene. A stranger whose entry felt… like a hero introduction. "Yeh coincidence thoda zyada nahi ho raha?" (“Aren’t these coincidences getting a bit too much?”) Then one day— Vijay saw someone. Not just anyone. A face he recognized. Not from real life— But from a movie. Not every film. Not every story. But some characters… are real. Living. Breathing. Existing in this world. A strict police officer who behaves exactly like a mass-action hero. A mysterious businessman with clear villain energy. A college girl whose life feels like a romantic drama waiting to unfold. This world isn’t fully Bollywood. It’s worse. It’s partially scripted. "Matlab… har koi normal hai… par kuch log kahani leke ghoom rahe hain?" (“So… everyone is normal… but some people are carrying entire stories inside them?”) And Vijay? He remembers those stories. He knows— Who will rise. Who will fall. Who will love. Who will die. But unlike movies… This is real life. Interference has consequences. So Vijay makes a choice. He won’t jump blindly into every story. He will observe. Learn. Adapt. Live a normal life on the surface— School, family, daily struggles, small happiness… While secretly identifying “main characters” hidden in society. Sometimes he helps. Sometimes he changes outcomes. Sometimes… He lets the story play out. Because he understands one terrifying truth— "Yeh duniya film nahi hai… par film jaise log isme zaroor hain." (“This world isn’t a movie… but movie-like people definitely exist in it.”) And slowly… Vijay begins to step into those stories. Not as a background character— But as a variable that was never supposed to exist. MC - vijay live with lesbian moms Mom1 -Shilpa, Mom2- Neelam and first partner in love with MC
InkAuthority · 20.4k Views