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The Malicious Female Cultivator Stops Pretending, Starts With Five Taoist Companions

The Sheep That Catches Stars
Ye Wu transmigrates into a cultivation novel, becoming the sycophant female supporting character. The female lead, Lin Huanhuan, and her numerous harems live happily every day. However, she recklessly sets her eyes on one of the female lead's harems: the neighboring Sword Cultivator male lead who practices the Heartless Dao but is only captivated by the female lead. In the book, she disregards her five Taoist Companions and for decades becomes a sycophant for the male lead. Upon reviewing her memories, Ye Wu turned dark-faced. Be a sycophant? Ye Wu couldn’t possibly be a sycophant in this life! The five Taoist Companions are incomparably handsome, aren’t they alluring? Ye Wu initially thought she was about to enjoy a life surrounded by companions. Unexpectedly, all five of them hate her to the core. The handsome Jiao Long from the Jiao Long Clan had his hardest protective scale stripped by her and given to the male lead. The strange Demon Clan was bound by her in the Artifact Refining Room and subjected to Karmic Fire for the male lead's Artifact Refining. The young boy from the Human Clan, focused on swordsmanship, had his family heirloom taken by her and presented to the male lead... There is also the scheming sickly boy, and the innocent Nine-tailed Fox youngster... System: As long as the host strategizes them and gains their favorability, rewards can be exchanged. They currently hate the host immensely, it is advised that the host apologize soon to win back their favorability. Ye Wu: "???" After just being a sycophant for the Heartless Dao male lead, now she has to be a sycophant for the five of them? No way! She enthralls the five Taoist Companions with her expression: "The more you love me, the more benefits you get. Can't fall in love with me? That’s your problem, go back and introspect." Later on, Ye Wu prepares to ascend and she indicates she can set them free. But the five Taoist Companions, with red eyes, kneel in front of her, begging her not to abandon them.
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The Beast Within – The Bloodclaw (Volume 3)

The flight was only the beginning. Yulong has turned to ash, yet from the ash grow new shadows. The Dark King has changed his face—he now wears the features of a dead man, and those who look into his eyes do not see a stranger, but the neighbor from next door. His hunger is no longer his alone. His progeny roam the night, scenting life in the veins like ripe fruit, spreading like a curse across the land. Liyen follows a small flame. A tiny light in the darkness that neither flickers nor fails—the little Qi-Flame that dances through forgotten paths and leads her deeper, down into the earth where silence breathes and memories do not die, but wait. Down there, in the gullet beneath the world, the lost one is said to be. But what lurks in the depths is no prisoner—it is an exchange: A cage of flesh in which two breaths writhe—and only one may remain. Meanwhile, strangers open a door in the night. When this band of foreign adventurers appears in the darkness, the true journey has only begun. Instead of finding refuge, they find a blood-feast and smiles that almost reach the eyes. For sometimes the greatest danger is not the monster you fear, but the friend who smiles at you—whose teeth only show when the moon loses its blood. Now stands the choice: To speak the warning and be branded mad—or to remain silent and watch with living flesh as trust turns to slaughter. (Volume 3 of The Beast Within series – The Bloodclaw—a direct sequel to "Yulong") A story about how sometimes the monster does not lurk beneath the bed, but beneath the skin—and about what price it demands to wear a face that is not your own. An OPTIONAL lore companion book is available on my WebNovel profile. TikTok.com/@jjwakawaka Copyright 2026 JJWaka & Wayne Shao. All rights reserved. This work is protected by copyright. Any reproduction, distribution, translation, adaptation, public performance, or other use—even in part—is prohibited without the express written permission of the authors. Publication of this work is reserved exclusively for the authors—regardless of platform, medium, or format. Any further publication or use by third parties, even for non-commercial purposes, is strictly prohibited. All characters, plot lines, texts, musical compositions, sound recordings, visual elements, and other creative content are the intellectual property of the authors.
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