Though the main structure of the Good Fortune Orphanage remained unchanged, many of its original small external decorations and furnishings had long vanished.
This was the reason Gu Weijing did not initially recognize it.
Upon closer reflection,
the photograph in the oil painting matched the general structure of the orphanage in his memory almost perfectly.
The biggest difference was the two statues of the Virgin at the entrance of the building in the oil painting.
This was something the real Good Fortune Orphanage did not have.
Or rather, it wasn't exactly missing; the original two statues of the Virgin at the entrance of the orphanage had long been lost in the turbulence of history.
Gu Weijing vaguely recalled that the orphanage's female director had mentioned the history of the orphanage to him.
It used to be a church relief institution called "Saint Teresa's Church," and there were indeed two statues of the Virgin at the entrance.
