When I first encountered this piece, at first glance, it seemed like the work of an unknown clumsy painter, awkwardly attempting an incongruous creation using Impressionism techniques.
But in the very next moment,
when Gu Weijing took a careful look and appreciated the painting, he realized he was wrong.
Because the light and shadow of this painting gave him a familiar feeling.
Though one painting is bright and colorful and the other is somber and shadowy, the temperament of this piece reminded him of the "The Dance at the Moulin de la Galette," which he had just seen earlier.
This is a kind of mysterious sixth sense.
Indescribable yet truly existent.
Ever since that day when he admired "The Dance at the Moulin de la Galette," witnessing the dreamy Paris it brought about,
all the other Impressionist works at the calligraphy and painting public auction gave Gu Weijing a sense of dull blandness.
